The Bristol Radical History Group has produced seventy publications, mostly within the Radical Pamphleteer series, with several more pending. These honour and continue the tradition of the troublesome chapbooks, broadsides, and seditious tracts from the earliest days of mass printing. The series was launched in 2008, with Mark Steeds’ Cry Freedom, Cry Seven Stars, a tribute to the anti-slavery campaigner Thomas Clarkson, active in Bristol during the 18th century. Since then, a collection of […]
We are very pleased to have Ian Bild a founding member of the influential Bristol Broadsides and the cast, researchers and organisers of the recent Haunting Ashton Court project speaking and performing at M Shed. Bristol Broadsides was a non-profit making publishing co-operative founded in 1977. Its aims were best summed up by the Hut Writers from the Southmead council estate in their book Corrugated Ironworks: For too long we’ve been sitting back, complacently accepting everything that has been […]
Minor Compositions is a research – theorizing – publishing project whose aim is to bring together, develop, and mutate forms of autonomist thought and practice, avant-garde aesthetics, and an everyday approach to politics. This draws a good deal of inspiration from history of militant research and workers’ inquiry, expanding it beyond inquiry into particular workplaces into a more general investigation of cultural labor, social reproduction, and the relationship between radical politics and […]
A panel of experienced independent publishers will discuss the ins and outs of producing history texts from short-run reprinting, running a small publishing outfit to the revival of the ‘radical history pamphlet’. So if you want to knock stuff out from broadsheets to books, come and find out how to ‘do it yourself’.
