Not A BRHG Event
Dr Peter Webb and Dr Stephen Hunt (Of Bristol Radical History Group) will discuss and illustrate the main principles of Anarchism and go through why Anarchist politics may be a suitable framework for thinking about contemporary political, cultural and social issues. We will also give examples of a variety of Anarchist thinkers, the situations they found themselves in and the political decisions that they made, informed by their Anarchist outlook. Anarchism like most political perspectives has […]
I interviewed Florence Exten-Hann in March 1973 and this article appeared in the socialist feminist magazine Red Rag (no.3 1973). It draws also on notes she wrote about her life for a Workers’ Educational Association class in 1968. The original article was subsequently reproduced in a collection of my writings, Dreams and Dilemmas, Virago, 1983. I have modified it somewhat for clarity and added some new comments at the end. My article, ‘She Lived Her Politics’ first appeared in the anarchist […]
Cato Press, Easton’s very own print workshop, continues the tradition and art of relief printmaking. Members of Cato Press will be on hand in the activities and exhibitions area on Level 2 with some radical designs. Be sure to pay them a visit to print your own poster to take away!
Not A BRHG Event
This talk given by Professor Lois Bibbings will consider conventional ideas about objectors alongside an exploration of who these men (and women) were, what they did and why, what happened to them and how they were viewed. A complex picture emerges which takes us a long way from stereotypical images of objectors as, for example, despised, rejected, unmanly, lacking courage and/or devotedly religious. This event is organised by the Bristol Skeptics Society and takes place at the Smoke and Mirrors […]
Not A BRHG Event
Over 350 men from the Bristol area refused to fight in World War 1. They claimed the status of conscientious objector for moral, religious or political reasons. Some agreed to take non-military roles. Others spent much of the war in prison, often under harsh conditions. This illustrated talk presented by Professor Lois Bibbings tells the stories of these men and the people in the city who supported them. This event is part of a series of Lunchtime Lectures by Bristol Libraries. There is no need […]
In May 68, visual culture was deployed as a form of radical protest, not just in the Parisian Atelier Populaire where students and faculty staff took over the Ecole des Beaux Arts, putting print on the map as a tool of global resistance movements, but around the globe from Italy to Mexico, from Japan to the United Kingdom, from the United States to Yugoslavia. These were "weapons in the service of the struggle… an inseparable part of it. Their rightful place is in the centres of conflict, that […]
Join collective bread, print & roses on a tour through Bristol’s radical past, present and future. Together we will bring to life the city’s dissenting history, its rich tradition of self-help and mutual aid, from the intellectual and political ferment of radical taverns, to pamphleteering, popular education collectives, the neo-liberal assault on education today and the radicalising impact of the UCU strike and ask what kind of education we need for all our futures.
St Pauls Carnival is held, usually on the first Saturday of July in Bristol. The celebration began life in 1968 as the St Pauls Festival, when the idea was "to create an event to help improve relationships between the European, African, Caribbean and Asian inhabitants of the area." Called the St Pauls Carnival since 1991, it is run by a non-profit organisation, St Pauls Afrikan Caribbean Carnival Limited. In 1968 the St Paul's Festival, had the aim of bringing together the European, […]
We are very pleased to be hosting an exhibition of political posters from the 1968 movements created our friends at the Interference Archive in New York. From the Atelier Populaire (print collectives) of France’s insurgent 1968 to the radical posters of the Prague Spring and the university occupations in the United States and Mexico City. This exhibition is an an entry point into the cultural production of the global '68 moment and its continued influence on politics, art, and design today.
What is the connection between the Bristol Sharples family of artists, the American Revolution of the 1780s and the Royal West of England Academy of Art? Join Lee Cox and Hazel Gower, director and writer of a TV film about Ellen and Rolinda Sharples, in exploring the places where they lived and worked at the beginning of the 19th century. Rolinda became the only female member of the Bristol School of Narrative Artists, whilst the Sharples family little known legacy led to the establishment of […]
