Cato Press, Easton’s very own print workshop, continues the tradition and art of relief printmaking. Members of Cato Press will be on hand in the activities and exhibitions area on Level 2 with some radical designs. Be sure to pay them a visit to print your own poster to take away!
Poet and letterpress artist Dennis Gould began the early 1960s in Stafford Prison. Serving with the Royal Engineers during the 1950s, he later took up the cause of the Committee of 100, the direct-action wing of the anti-nuclear movement, carrying out acts of non-violent civil disobedience for which he was detained at her Majesty’s pleasure. In 1965 Dennis helped to organise an anarchist fringe festival of poetry at the Octagon in Bath. He continued to campaign and work with Peace News and then […]
In the winter of 1968 Bristol students occupied Senate House for 10 days. Their demands included greater representation for student reps on University bodies and 'reciprocal membership' for all students in the city which would allow access, even for lowly polytechnic students, to the wonderful facilities of the newly opened University Students Union Building. Two participants in the sit-in, Sue Tate and Kevin Whitston, will start this session with brief presentations before opening it out to […]
We are very pleased to be hosting an exhibition of political posters from the 1968 movements created our friends at the Interference Archive in New York. From the Atelier Populaire (print collectives) of France’s insurgent 1968 to the radical posters of the Prague Spring and the university occupations in the United States and Mexico City. This exhibition is an an entry point into the cultural production of the global '68 moment and its continued influence on politics, art, and design today.
In 2006 a legislative pardon of sorts was granted for some of the men executed by the British military during the First World War. However, the fight for something to be done about this – and the British military’s legal process and sentencing practice - had started during the war. This paper traces the efforts to gain justice for those men who died. It also considers resistance to ‘rewriting’ history and reflects upon campaigning and the use of pardoning here.
In May 68, visual culture was deployed as a form of radical protest, not just in the Parisian Atelier Populaire where students and faculty staff took over the Ecole des Beaux Arts, putting print on the map as a tool of global resistance movements, but around the globe from Italy to Mexico, from Japan to the United Kingdom, from the United States to Yugoslavia. These were "weapons in the service of the struggle… an inseparable part of it. Their rightful place is in the centres of conflict, that […]
What is the connection between the Bristol Sharples family of artists, the American Revolution of the 1780s and the Royal West of England Academy of Art? Join Lee Cox and Hazel Gower, director and writer of a TV film about Ellen and Rolinda Sharples, in exploring the places where they lived and worked at the beginning of the 19th century. Rolinda became the only female member of the Bristol School of Narrative Artists, whilst the Sharples family little known legacy led to the establishment of […]
An opportunity to do your own research into Conscientious Objectors and resistance to war during World War 1 Bristol Central Library staff and members of Remembering the Real World War 1 will show you how to access archive sources and online databases to find out about conscientious objectors. Places on the workshop are free but limited. You can book here or by calling 0117 9037250 or email polly.ho.yen@bristol.gov.uk.
Otherstory presents - A puppet drama documentary about men on the run from conscription during World War 1. Using table top puppetry, photographs and posters from the period, the experience of men on the run is chronicled - including the extraordinary story of a secret chamber beneath a bike shop in Bedminster - and showing the wide network of support that enabled some men to reach the USA. This will be followed by a discussion/workshop looking at the historical material used in the show with a […]
In Russia in October 1917 the Bolsheviks could rule only in coalition with LEFT SOCIALIST REVOLUTIONARIES who's charismatic leader MARIA SPIRIDONOVA was the equal of Lenin. Till April 1918 they maintained a fragile alliance but by June an uprising was inevitable and the outcome uncertain. SPIRIDONOVA maps those few months as tension grows and the divide between Leninism and a more libertarian socialism becomes starker........and fixed in history. Spiridonova is awash with assassins, plotters, […]
