In 2006 a legislative pardon of sorts was granted for some of the men executed by the British military during the First World War. However, the fight for something to be done about this – and the British military’s legal process and sentencing practice - had started during the war. This paper traces the efforts to gain justice for those men who died. It also considers resistance to ‘rewriting’ history and reflects upon campaigning and the use of pardoning here.
In May 68, visual culture was deployed as a form of radical protest, not just in the Parisian Atelier Populaire where students and faculty staff took over the Ecole des Beaux Arts, putting print on the map as a tool of global resistance movements, but around the globe from Italy to Mexico, from Japan to the United Kingdom, from the United States to Yugoslavia. These were "weapons in the service of the struggle… an inseparable part of it. Their rightful place is in the centres of conflict, that […]
Cato Press, Easton’s very own print workshop, continues the tradition and art of relief printmaking. Members of Cato Press will be on hand in the activities and exhibitions area on Level 2 with some radical designs. Be sure to pay them a visit to print your own poster to take away!
What is the connection between the Bristol Sharples family of artists, the American Revolution of the 1780s and the Royal West of England Academy of Art? Join Lee Cox and Hazel Gower, director and writer of a TV film about Ellen and Rolinda Sharples, in exploring the places where they lived and worked at the beginning of the 19th century. Rolinda became the only female member of the Bristol School of Narrative Artists, whilst the Sharples family little known legacy led to the establishment of […]
An opportunity to do your own research into Conscientious Objectors and resistance to war during World War 1 Bristol Central Library staff and members of Remembering the Real World War 1 will show you how to access archive sources and online databases to find out about conscientious objectors. Places on the workshop are free but limited. You can book here or by calling 0117 9037250 or email polly.ho.yen@bristol.gov.uk.
Otherstory presents - A puppet drama documentary about men on the run from conscription during World War 1. Using table top puppetry, photographs and posters from the period, the experience of men on the run is chronicled - including the extraordinary story of a secret chamber beneath a bike shop in Bedminster - and showing the wide network of support that enabled some men to reach the USA. This will be followed by a discussion/workshop looking at the historical material used in the show with a […]
In Russia in October 1917 the Bolsheviks could rule only in coalition with LEFT SOCIALIST REVOLUTIONARIES who's charismatic leader MARIA SPIRIDONOVA was the equal of Lenin. Till April 1918 they maintained a fragile alliance but by June an uprising was inevitable and the outcome uncertain. SPIRIDONOVA maps those few months as tension grows and the divide between Leninism and a more libertarian socialism becomes starker........and fixed in history. Spiridonova is awash with assassins, plotters, […]
Tony Benn was a great chronicler of his times and in this final chronicle of his life he reflects on the moments that defined his political and personal life experiences. This programme uses interviews recorded over time and an exclusive wide ranging final conversation in his later years together with unique, unseen family and personal film archive to chart the defining moments in his long political life. The programme is introduced by its producer, David Parker.
Two performances at 13.15 & 15.30 Venue: Bristol Cathedral, College Green, BS1 5TJ Pianist: Steven Kings Soprano: Heather Ashford No booking required and no admission charge but there will be a collection at each performance. Visitors to the Refusing To Kill exhibition in Bristol Cathedral will have learnt about Frank Merrick and even heard his voice. With the support and involvement of Frank’s family we are now pleased to present a performance of some of his music. Frank Merrick was 31 when […]
My talk will draw on my father’s remarkable life in Germany up till 1933. I will use it to illustrate how the Nazis first built on the defeat of the 1918/19 Bavarian workers (and sailors) uprising, a consequence of the war, by the viciously anti-Communist Freikorps. My father, having observed the early Nazis and more aware than many on the left of how dangerous they were, was later deeply involved in the almost forgotten resistance to the Nazis pre-1933. He was active in a number of […]
