Filming people in distress for his documentary ‘Earth Will Fall’, shot in a favela in Brazil, raised difficult ethical issues for documentary maker Sam Liebmann. He will discuss, with video clips, the problems of representing people fairly and with dignity while filming in areas of high social conflict. Book tickets here.
Since the early days of documentary filmmaking, directors have been trying to put workers on film. Award winning filmmaker Colin Thomas will examine some of these and consider his own attempts in the light of the comment by one of his subjects, car worker Bill Pritchard, who told him that he was “chasing daydreams". Book tickets here.
Bristol-born politician and intuitive creative artist Cleo Lake is driven by the idea of utilising creativity, dance and expanded performance to aid civic engagement and to reframe storytelling as a resilience tool to embed cultural knowledge, empathy, understanding and cohesion. Cleo is currently working on the collaborative ‘Citizens Researching Together’ programme on the strand: Decolonising Memory – Digital Bodies in Movement. Book tickets here.
For the last 25 years David Parker has been collecting and showcasing home movies in his documentary films for television. Using clips from his series ‘Mud Sweat and Tractors’, ‘Sea Fever’ and ‘Shooting the War’, as well as his latest series for TV ‘Britain on Film’, David will illustrate ways that he weaves home movies into his programme and show just how valuable this sadly neglected media can be in telling stories about how we lived in the last Century. Book tickets here.
Not In An Event Series
Were you ever involved in Bristol's squatters' movement? Join us on Sunday 6th March 2-4pm at BASE (14 Robertson Road, Easton) for tea, cake and a chat around a map to capture memories of squatting in Bristol. So much of what we love about Bristol was made possible by squatting. Bristol Squatted is a new project aiming to give squatting the space it deserves in the city's history and ask what the role is for squatting in Bristol today. For more information see here and bristolsquatted.org
Not In An Event Series
Otherstory will be presenting a first screening of our cinematic puppetry performance Taking a Holiday on Sunday 20th February at 7.30 pm. This online event will include a live post show talk by Professor Lois Bibbings (from the University of Bristol) on the historical context to the story told in the film. There will also be an opportunity to meet and put questions to the puppeteers. Taking a Holiday tells the amazing story of the secret beneath a Bristol bike shop. It is a story of […]
The success of strikes in 1889 by Bristol dock workers over pay and conditions led to a massive rise in membership of the newly formed dockers unions. In the autumn of 1892 timber merchants based on the Floating Harbour, along with their ‘bosses union’ the strike-breaking Shipping Federation, launched a counter-offensive. Its aim was to smash the dockers unions and re-introduce the hated ‘piecework’. The outcome would be a dramatic confrontation between strikers and the military on the streets […]
Note: This online event is hosted by The Cube and requires booking. Details here. Join BAFTA-nominated documentary film-maker George Amponsah (The Hard Stop) in conversation with historian Rosie Wild about his latest work, Black Power: a British Story of Resistance. This will be followed by a Q&A session. The recent highly acclaimed history documentary Black Power: a British Story of Resistance (Rogan Productions, 2021) tells the story of Britain’s homegrown Black Power movement from […]
Meet at 2.00pm outside M Shed, Princes Wharf, Wapping Rd, Bristol BS1 4RN Walk ends at Bristol Cathedral at 4.00pm (approx.) This history walk in Bristol City centre uncovers a 1,000 year history of resistance to slavery. Starting with Bristol's first abolitionist Saint Wulfstan and the Bristol 'mob' in the eleventh century this walk charts the networks of religious and political activists who led popular campaigns against slavery. From the non-conformists and radical currents in the English […]
